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Description
War changed Clinton Brown. Permanently disfigured by a tragic military accident, he’s struggling to find satisfaction from life as a rewrite man for Pacific City’s Courier. Shame has led him to isolate himself from closest friends and even his estranged, still faithfully devoted wife, Ellen. Only the bottle keeps him company.
But now Ellen has returned to Pacific City, and she’s ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret … a painful truth Brown would do anything to stop from coming to light. He’d kill a whole lot of people just to keep this one thing quiet–and soon enough, the bodies just happen to start piling up around him…
THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man’s journey through the dark side of the Postwar Boom.
But now Ellen has returned to Pacific City, and she’s ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret … a painful truth Brown would do anything to stop from coming to light. He’d kill a whole lot of people just to keep this one thing quiet–and soon enough, the bodies just happen to start piling up around him…
THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man’s journey through the dark side of the Postwar Boom.
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Praise
"The best suspense writer going, bar none."
—The New York Times
"My favorite crime novelist-often imitated but never duplicated."
—Stephen King
"If Raymond Chandler, Dashiell Hammett and Cornell Woolrich would have joined together in some ungodly union and produced a literary offspring, Jim Thompson would be it...His work...casts a dazzling light on the human condition."
—Washington Post
"Like Clint Eastwood's pictures it's the stuff for rednecks, truckers, failures, psychopaths and professors ... one of the finest American writers and the most frightening, [Thompson] is on best terms with the devil. Read Jim Thompson and take a tour of hell."
—The New Republic
"The master of the American groin-kick novel."
—Vanity Fair
"The most hard-boiled of all the American writers of crime fiction."
—Chicago Tribune
