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Before Elvis
The African American Musicians Who Made the King
Description
In this thought-provoking book, the Black musicians who influenced Elvis Presley’s music finally receive recognition and praise.
After Baz Luhrmann’s movie, Elvis, hit theaters, audiences and critics alike couldn’t help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In Before Elvis: The African American Musicians Who Made the King, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them.
Within these pages, Lauterbach examines the lives, music, legacies, and interactions with Elvis Presley of the four innovative Black artists who created a style that would come to be known as Rock ’n’ Roll: Little Junior Parker, Big Mama Thornton, Arthur “Big Boy” Crudup, and mostly-unknown eccentric Beale Street guitarist Calvin Newborn. Along the way, he delves into the injustices of copyright theft and media segregation that resulted in Black artists living in poverty as white performers, managers, and producers reaped the lucrative rewards.
In the wake of continuing conversations about American music and appropriation, Before Elvis is indispensable.
After Baz Luhrmann’s movie, Elvis, hit theaters, audiences and critics alike couldn’t help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In Before Elvis: The African American Musicians Who Made the King, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them.
Within these pages, Lauterbach examines the lives, music, legacies, and interactions with Elvis Presley of the four innovative Black artists who created a style that would come to be known as Rock ’n’ Roll: Little Junior Parker, Big Mama Thornton, Arthur “Big Boy” Crudup, and mostly-unknown eccentric Beale Street guitarist Calvin Newborn. Along the way, he delves into the injustices of copyright theft and media segregation that resulted in Black artists living in poverty as white performers, managers, and producers reaped the lucrative rewards.
In the wake of continuing conversations about American music and appropriation, Before Elvis is indispensable.
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Praise
“Preston Lauterbach has long since made a place for himself as the most valuable chronicler of African-American music as a fulcrum and a center of American culture. But here, with astonishingly detailed and serpentine storytelling, with no road of intellectual inquiry ever closed, he has outdone himself. And with humor, the cool eye of a hanging judge, and the flair of a dancer, he has lifted his ongoing argument to the realm of Mark Twain, Damon Runyon, Chester Himes, and Percival Everett.”
—Greil Marcus, author of "Mystery Train," "Lipstick Traces," and "Folk Music"